Fresh from the wood fire kiln 2016.

2 months into the year and I’ve participated in 3 wood firings, and one more coming up next week! It’s a lot of work, but the little pyro in me is loving every ache and sleepless nights when I get teapots that look like these!

I think I’m getting the hang of what to expect–at least what to look for–out of the wood kiln and more specifically from the soda and salt firings. The teapot forms have been refined to take advantage of the movements of the flame and to allow for the ash and glaze to enhance surface effects. These 7 teapots survived in its whole without much touch up post firing. Credit to good wadding placement and key positioning in the kiln.

Several of these teapots show signs of heavy body reduction early in the firing. While this is not usually desirable and could cause carbon coring, there doesn’t seem to be any bad results from it. It really highlights the textures and coil details very well. You can tell which have the heavy body reduction by the “smokey” coloring—that’s the carbon trapped in the body of the clay under the ash/soda glaze.

You will find some of these teapots in a new exhibition that I am part of at The Main Gallery in Redwood City titled “Stories: Selected Works by the Orchard Valley Ceramic Arts Guild”. Exhibition opens on February 24th and runs through April 3rd, 2016. Artist Reception is held on Saturday 27th from 5:00 pm – 7:00 pm. If you are in town and can make the reception, please join me at the after party gathering at Milagros Restaurant across the street immediately after the gallery closes. Public parking can be found at the Redwood City Library adjacent to the gallery.

160101_Teapot_SodaSalt1a 160102_Teapot_SodaSalt2b 160103_Teapot_SodaSalt3a 2016_AnagamaTeapot3_a 2016_AnagamaTeapot4_a 2016_SodaTeapot1_a 2016_SodaTeapot2_d

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